Since the events that transpired to create this post happened, I have been in a dark place in my soul. I have doubted my decisions, my relationships, my faith. I had a dark moment on a dark night sitting alone on a cold bench in a park, so late at night that the lights had gone out.
I want to believe what I have believed. I want to believe what others have said about my choices. I want to believe, again, that I am forging a good life. But I don’t know how to do that, here in the dark alone. And I don’t know how to convey what I believe to the people who need to believe it too.
So. I’m in this dark spot.
I can’t really talk about it, because talking induces hysteria. The kind of tears that feel like a heart attack. Putting it into spoken words, the kind with sound waves, makes it feel even more real.
So I’ve written a lot in my journal. I’ve fasted for myself (not something I ever do). I’ve thought and relived and tried to see things from an objective perspective.
I’ve spent a lot of time crying in the bathtub.
Two weeks ago, my mom asked me to come to her church’s birthday dinner. Some sort of writers or artists were coming to speak—she was vague on the details—and she thought it would be fun if I came because, you know, my writerly ambitions. And while I usually feel guilty about doing things in the evening on nights when I’m not working, something told me I should go.
So I did, despite the fact that I argued with Kendell about it and I argued with Haley about it and there was a big meltdown just before I left and I left late and then I had to speed down the freeway (which is a brave thing to do in Utah right now, considering all the freeway construction). I went, taking my darkness with me and my hope that the something telling me to go was right.
When I got off the freeway and turned east towards Springville where my mom lives, I gasped. The moon was rising, very close to full, right in the valley between two mountains. A sheet of clouds hung in the lower part of the valley, so it looked like the bottom quarter of the moon had been torn off. The rest of it, though, looked enormous—you know how it looks when it first rises?
If I wasn’t late and the road wasn’t so congested, I would have stopped and taken a photo of it, even though I’m certain that my camera phone couldn’t begin to capture how that moon made me feel. A little bit of light.
I rushed to my mom’s, picked her up, and drove to the church. She was still a little bit vague on the details of who was speaking, but as I listened to the conversations around me, I picked it up: the painter Liz Lemon Swindle, who does religious paintings, and Susan Easton Black, who is a church historian and a professor at BYU. She also writes the books that tell the story behind Swindle’s paintings.
And it just so happened that my mom and I ended up sitting at the very same table as these two women.
As I tend to do when I am around successful people, I clammed up. I wanted to talk to them both, gush my admiration and ask them for advice and learn their secrets, but mostly I just listened and ate chicken salad.
I loved listening to Liz Lemon Swindle speak about her art. As art is something I am immensely fond of—partly because my grandpa, Curtis Allman, was an artist—but not anything I can do with any resemblance to actual art, I find artists to be amazing people. The translation between the idea and the finished painting—it is a source of magic I think.
But the talk I needed to hear, the one I didn’t know I came to the meeting for, was Susan Easton Black’s. She spoke of a time in her life when she found herself in bed, having given up trying to live any sort of real life, and how a sort-of acquaintance helped her get out of bed, wash her sheets, and move forward. "You just have to find your talents and then do something with them," the friend told her, and so that is what she did. She took her talent of being able to remember the details of anything she read, and she became a teacher of church history. She wrote books with her knowledge, and shared what she knew. She made a life for herself by building up her talent.
Talent.
That word came up several times in these two talks. Over and over, in fact. By the end it was almost the only word I could hear: talent. Find your talent. Build upon it. Move forward by using your talent. Build a life based on your talent.
What is my talent? I thought. And what I want the answer to be is this: writing.
What have I done with my talent? I asked myself. Focused all of my education around it. Taught it to high school students. Used it to share my kids’ stories. Taught courses on it to scrapbookers around the world. Put down my thoughts about books so that other people could discover the good ones, too.
But never what I really, really wanted to use it for, ever since I was 16 and listened to a popular girl in my sophomore English class read her poems out loud and knew: my poems were better than hers even if every boy in the school adored her. Writing books that other people might read: that is what I have wanted to use my talent for.
But I got married young. And then I had things like a mortgage and health insurance to pay for. I had babies. I finished school. I tried to be a good wife and mom. I suffered through Kendell’s unemployment, went back to school, became a teacher. Became a librarian. And throughout most of those years I kept my writing ambitions a sort of secret. I kept my Madeline L’Engle moment in my head: once my kids were all in school, it would be my time to write.
And here I am: all my kids are in school. It is the time my writing has been waiting for. But here I am: in the dark. Unsure. Maybe all those years were simply my way of laying in bed, ignoring the world and trying to sleep through my life? Maybe my Madeline L’Engle moment was only an excuse for me to not try? Because trying? Trying means failing. If I never try to be a writer, if I only talk about it, then I will still have the dream in front of me. By not starting I don’t have to ever confront failing.
Because that is the hitch that all my darkness spins around: is writing really my talent? Am I good and strong and determined enough to take the road I want to take? Is it selfish of me to even try, when my kids still need so much from me, both emotionally, yes, but also financially.
I thought, and I listened to Susan Easton Black’s story, and I thought some more, and soon the only word I heard was that one: talent.
A fragment of a Mary Oliver poem skipped into my thoughts:
little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.
(I am a mother and a wife and a friend and an employee. But I am also myself, and no one else can save my life but me.)
And of course the scripture from Matthew:
For unto every one that hath shall be given, and he shall have abundance: but from him that hath not shall be taken away even that which he hath.
(Have I waited too long? Did I bury instead of build upon? That unprofitable servant who buried his talent didn’t just go away. He was cast into outer darkness, with much weeping and gnashing of teeth. Did I only once have the ability to write?)
And an idea from Borges:
"like every writer, he measured other men’s virtues by what they had accomplished, yet asked that other men measure him by what he planned someday to do."
(Can I only talk and dream about it?)
And that word:
talent
talent
talent.
And then the talks were over. I told them both how much I appreciated their words, my own syllables hollow. Neither one of them could know the story behind my appreciation. Because it felt like there was an answer here, somehow. An answer I still don’t know how to make be the answer. Because I have to believe in the answer so much that the other people who don’t believe in this answer are converted to it. And I have to be good enough to make it the answer. And I don’t know how to move from what I planned to someday do to actually doing it.
But it still felt like an answer somehow.
After I dropped my mom back at home and started the rush for home (Haley needed the car), I thought. I thought out loud—a sort of a prayer. I drove the long way home (despite Haley needing the car). And when I was out on the road that runs between towns, a road tucked right up against the foothills, I looked across the lake and I saw a shooting star.
Then I stopped my talking. I didn’t think, really. I just drove, to the end of my night which was book-ended by celestial lights, a sort of punctuation to the message I still don’t properly understand but know, somehow, is the one I needed to hear.
I confess: I am still in the dark. I am subsisting on shaky faith, doubt, and self-flagellation. But the dark is not so dark, quite. It is that word—talent—which is a light I can almost, almost see. And perhaps if I keep moving forward I will catch up to it.